MUSIC
Recent Work
Orchestral Music
"Alice's Adventures in Wonderland (8)"
-May 2017
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"Monday (Commuting Chaos)"
-August 2018
Chamber Music
"The Chase"
-June 2019
"Tales of the Aegean Sea"
(Collaboration)
-July 2019
Video Game Music
"Boss Theme 02"
(Collaboration)
-January 2020
"Battle Theme 05"
(Collaboration)
-February 2020
"Battle Theme 08"
(Collaboration)
-August 2020
Popular Music
"Imagine"
(Collaboration)
-August 2020
"Peace"
(Collaboration)
-September 2020
"Rough Rock"
(Collaboration)
-November 2020
Musical Theatre
Experimental Music
"Aria (Prologue)"
-April 2017
Screen Music
If you would like me to write some music for you, take a look at my "Commissions" page.
"Dust Buddies"
-April 2018
"Sebastian's Voodoo"
-December 2017
"The Point of Recognition III"
-November 2017
"Evolutions I"
-November 2018
"100"
-March 2019
Electronic Music
"Echoes"
-March 2018
"A Surrey Soundscape"
-May 2018
"Oidzody"
-December 2017
Choral Music
"Aria (The Strings Have Been Pulled)"
-October 2019
Ambient Music
Library Music
"Ambience No.2"
(Collaboration)
-November 2019
"Ambience No.3"
(Collaboration)
-November 2019
"Ambience No.4"
(Collaboration)
-November 2019
"A Feast of Jollity"
-September 2019
"This Just In"
-October 2019
"Here We Stand"
-September 2019
A Compositional Blog
Throughout my years of composition, I have assigned all of my major projects a number in this list to denote their chronological order. This list does not only include music that I wrote myself, but it also includes transcriptions I made of other composer's work, educational tasks and unfinished works. For each piece, I provide a "reminiscence"; some narration to give some context and reflection on how and why I wrote it, and in the case of transcriptions, I provide a short analysis of the piece as well as any other useful insights.
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'TandA' ('Transcriptions and Arrangements') is a YouTube channel I have set up to make transcriptions and arrangements of various video game music.
As there are so few people making full transcriptions of video game music, I figured I would put my skills to use and transcribe as close as possible to what the original might have been. These scores are then licensed with the copyright owners and sold on Musicnotes for anyone to perform.
The arrangements are where I take a little more creative freedom by orchestrating video game music that may not have previously had an orchestration - essentially updating the original and providing a glimpse into what these scores could potentially sound like if the games were remade.